The report is a documentation of a regional conference "Freedom of Expression in Music", that was held in Beirut from 7 to 8 October 2005, in collaboration with Freemuse - World Forum on Music and Censorship and Irab-Arabic Association for Music. The report does not give a full picture of music censorship in the Middle East and North Africa. It does, however, give a picture of a region that – like many other regions of the world – experiences both traditionalist and modernist tendencies, civil and religious trends as well as struggles for self-determination and cultural diversity against cultural domination.
This book, written by a woman of the Bedouin community in the Lebanese Bekaa valley, is a compendium of some of the Bedouin tales (Sawalef) orally transmitted in the Abu Eid community. The tales are recounted in Bedouin dialect. By making public some of the oral history of that community, the books sheds light on the life of the marginalized Bedouins of Lebanon.
Bada’el is a Lebanese environmental magazine published by the Lebanese Association Ecologia. With the support of the Heinrich Boell Foundation, an issue of Badae’l on “Health, Epidemics and Climate Change” will be released in September 2010.
In engaging with the richly varied and seminal scholarship of Edward Said, Waiting for the Barbarians aims to recover the notion of culture as a collective, hybrid and plural experience, inlight of the political imperative that rules our present. In bringing together some of the figures most closely associated with Said and his scholarship, this comprehensive volume looks at Said the literary critic and public intellectual, Palestine, and Said’s intellectual legacy: the future through the lens of his work.
Homosexuality is a subject that induced the persecution of a lot of individuals and the shed of their blood.
The situation in Lebanon is not as dangerous as in other countries in the Arab world for those individuals whose sexual orientation does not comply with that of the majority, but it is not less serious. Threats of death, humiliations, blackmails, attacks, marginalization, discriminations, rejections, depressions, suicide attempts, shame, guilt, emotional life ruined, isolation, are in great majority the load of the openly or clandestinely homosexual persons living in homophobic societies.
No history of the Lebanese civil war can ever be complete if it fails to explain why ordinary Lebanese chose to fight and how they perceive the actions they took during the war. With that in mind, this work has attempted to identify and elucidate some of the many factors that compelled Lebanese to enter the fray.
“At the Edge of the City” is a contemporary critique of urban governance and spatial production in Beirut. The undertaking is advocating in scope, multidisciplinary in approach, and journalistic in style. The book is an edited volume on public space in Beirut, focused on the case of Beirut’s park Horsh Al-Sanawbar, hosting the original textual and visual works of over 25 scholars, professionals, journalists, activists, and artists.
“At the Edge of the City” presents multidisciplinary, textual and visual contributions that attempt to shape an understanding of continuously evolving meanings of public space in Beirut, opening up the discussion and raising questions, and challenging the status quo, as well as the social imagination, of public space itself.
This report is the result of the EcoFair Trade Dialogue, a two-years extensive consultation and exchange process that took place across all continents. The proposals have been discussed and improved upon by a great number of representatives from farmer organizations and grass-roots initiatives, politics, the academic world, and civil society organizations. As it is high time to achieve a paradigm shift and start trade negotiations towards a General Agreement on Sustainable Trade, this report understands itself as a contribution to this aim.
This book concludes an artistic research project which took place in Damascus in October 2008 and through an online platform in the months before and after. The project “Reloading Images: Damascus / Work in Progress 2008” brought together cultural practitioners from Syria, Germany, Argentina, Spain, Italy, Turkey, USA, Egypt and Slovakia to discuss forms of artistic agency and work together on artistic projects taking the city of Damascus as a starting point.
This publication describes a new start of cooperation between Europe, the United States, and regional partners in the Middle East to tackle the challenges in Iraq and to help bring peace, stability, and sustainable development to the wider region.
With contributions by Layla Al Zubaidi, Bülent Aras, Megan Chabalowski, Richard Gowan, Faleh Jabar, Daniel Korski, Sami Moubayed, Daniel Serwer, and Heiko Wimmen