With the development of the Arab Spring across the neighboring Arab nations, such as in Syria and Egypt, and with the inescapable consequences and repercussions on the Lebanese political scene, a new wave of protests against the Lebanese politicians has arisen, particularly following the government’s failure to resolve the mounting garbage crisis.
One of the most interesting aspects of these demonstrations is the involvement of numerous Lebanese artists who are using the protests as a space to address their political views. For this purpose, they use different kinds of artistic expressions, such as music, paintings, graffiti etc. in order to convey messages to a larger public and to attract a bigger number of protestors and activists.
The Third Circle is an installation and a performance, based on interviews made in Lebanon with several Muslim scholars, religious leaders and experts in Islamic law. After showing them the video extract of a dance performance below, the duo questioned them on how this piece might be created so as to conform to Islamic law. The intention was to find out, with regard to both the dance and the music, what would be authorized by the Sharia.
Even though the diversity in Arabic-language hip-hop might make generalizations difficult, journalists seem to find it fairly easy to celebrate the music’s role in the perceived Arab march for Western democratic values. Titles such as “Is hip hop driving the Arab Spring?” from the BBC, and “Palestinians In Lebanon Find A Political Tool In Hip-Hop” from NPR, are indicative of the potential attributed to this musical genre.