A very inspiring creative project
Hajar utilized a historical-political lens, to carefully delineate artists, community and the use of space within Beirut’s quick pace of change. Given the lack of research on the dialectic between music and crises in the region, this historical lens is applied to understand recent developments that begin from the October 2019 Revolution, extending through to the complete collapse of the economy and banking system, and the August 2020 explosion. The photos coupled with over twenty interviews aim to re-imagine and recreate our spaces and collective identity with values that extend far past appreciating certain genres. This project chooses to focus on the vibrant and creative forces which stand in constant dialogue with the worn and broken.
Daniel Meier and Hussein Baydoun, respectively political scientist and photojournalist, explored various borderland regions in the North, East and South of Lebanon. They met a large number of residents from different social origins, age, gender, sects and nationalities. Each of them explained how a border is not a simple phenomenon like a “line of sovereignty” but rather an entity that has an impact on those living nearby.
This brief details the history of the Syrian refugee crisis in Lebanon from 2011 to present. As economic and security conditions in Lebanon have fluctuated and weakened over the course of Syria's war, public ire and distrust in Lebanon has turned towards the over 1 million Syrian refugees who have settled there, who many Lebanese view as responsible for Lebanon's economic and political woes. This brief breaks down why the presence of Syrian refugees in Lebanon has become so politicized in both public discourse and the rhetoric of political pundits, arguing that refugees have become a scapegoat to deflect away from more severe structural issues such as sectarianism and poor governance.
The staunchest criticism of the sectarian political model came from the civil society. Lebanese citizens have called for the abolition of this regime for more than a decade. The topic became a rallying cry for all Lebanese during the 2015 "You Stink" movement and more recently during the 2019 revolution (thawra).
Lebanon, with very little legislation regarding privacy rights to begin with, has not yet introduced legislation regarding the protection of personal data. What are the reasons for this circumstances and what barriers do they face in putting the issue of data protection and privacy rights on the public agenda? A paper by Katharina Schmidt.
Although differences have been found between Muslims and Christians in Lebanon regarding the acquisition of global consumer culture, the acquisition of such a culture emanating from the West cannot be denied. Thus, the Lebanese consumer culture in comparison with other Middle Eastern countries bears a number of similarities with Western consumerism. This arises the question of whether the trend of sharing, which can be considered as a part of Western consumer culture, has reached Lebanon as well.
On the 6th of May 2018 the Lebanese are voting for their parliament for the first time in 9 years. Elections, supposed to be held in 2013 but postponed repeatedly for security concerns, are held under a new electoral law. There is a huge discontentment with the political system and a high level of political apathy. The garbage crisis of 2015 and the municipal elections of 2016 showed that a huge segment of society does not feel adequately represented by the established political parties. This representation issue has a lot to do with the inherent corruption of the ruling political class and their failure to provide basic public services. Due to the discontent, the 2018 election saw an increase in candidates who do not come from the traditional sectarian parties. These civil society groups, who have their roots in previous protests, try to create a new political discourse around secularism, citizenship and pro-human rights. This paper examines the emergence of the these groups.
